Prompt:
Full-body portrait rendered in the monumental, sculptural style of Michelangelo Buonarroti, where classical anatomy meets symbolic gravity and architectural weight. The subject is a young woman standing tall, barefoot, her body balanced in quiet defiance and poise. Her full figure is carved with reverent precision—feminine, strong, and timeless. Shoulders relaxed, arms at her sides, she faces the viewer directly, her posture steady as stone, her presence radiant with controlled stillness.
Her face is partially obscured by a futuristic gas mask, integrated with two wide, curved glass lenses that cover her eyes like oversized goggles—polished, reflective, and seamless, resembling the visors of a forgotten priestess of air. Behind the mask, her red, wavy hair spills down to her shoulders in sculptural masses, parted to the left and shaped with Michelangelesque volume, echoing folds of cloth or carved flame.
She wears a luxurious cappa draped over her shoulders and back, its fabric thick and weighty, rendered with the same reverence given to ancient Roman togas. The surface is woven with an intricate pattern resembling a printed circuit board—etched lines, metallic nodes, and branching paths in muted copper and deep teal woven into matte charcoal fabric. The motif flows across the textile like a relic of future technology preserved in sacred cloth, its geometry softened by the folds and weight of the garment.
Her skin is painted in warm, luminous bronze, caught in directional light that traces her collarbones, thighs, and the edge of her jaw. Behind her, the background evokes a chapel wall fading into abstraction—fragments of fresco, raw pigment, and smoky erosion suggesting age, memory, and quiet ruin.
The scene feels suspended between epochs—classical form infused with post-industrial reverence. She stands like an oracle reimagined, a guardian of breath and silence, carved from a world where flesh and circuitry, prophecy and decay, exist in solem
Artist
