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ArtistA bustling cyberpunk long car where towering, intricately detailed skyscrapers pierce a smog-filled parking. Flying vehicles weave between builds adorned with neon signs and holographic advertisements. In the foreground, a street dealer with a orange mechanic arm sells glowing street food. The style Robert Crumb is a blend of detailed illustration, dark sci-fi aesthetics, and a touch of expressionism, with a color palette dominated by electric blues, black-orange, and reds.Pintura al óleo Neo renacentista , técnica mixta encáustica con una dramática iluminación de claroscuro y una paleta de colores melancólica y cálida. En la imagen aparece una habitación con una decoración sencilla ,hay una cama de metal donde una hermosa mujer pelirroja, está desnuda pero tapada con unas finas sábanas que se ajustan a su cuerpo, duerme, en una esquina hay una ventana abierta y las cortinas se mecen con el aire cálido que entra en la habitación , también se divisa le barrio a través de ella, estamos a finales del siglo XIX de un barrio humilde de Liverpool, el día está amaneciendo, se ve el sol en el horizonte como va apareciendo y aparecen los primeros rayos de luz.
This panoramic image presents a stark contrast between a futuristic, cyberpunk city and a serene, rustic setting.
On the left side, a futuristic cityscape of Liverpool reveals tall, dark skyscrapers with glowing neon lines in blue, orange, and red. The sky is hazy with smoke, and sleek flying vehicles resembling cars zip through the air. One prominent flying car has bright headlights and taillights, emitting light trails. Below, a man with dark skin, wearing a dark jacket and apron, operates an orange robotic arm attached to his back. He is tending to a street food stall, manipulating glowing embers or food items on a tray filled with what look like caramelized baked apples or tarts. His stall is steam-powered or features steampunk elements with visible gears and pipes. A black, low-profile futuristic car with neon blue and orange underglow and linear taillights is parked on the street behind him. The street is busy with people walking, and neon signs like "LIVERPOOL" and abstract shapes are illuminated. There are also holographic blue geometric displays floating in the air, adding to the advanced technology aesthetic.
The image transitions seamlessly to the right side, portraying a traditional, almost vintage interior and exterior. Inside, a woman with prominent red hair is