Cold Scene of a Man in a Frosted Hallway

No Justice: The Guilty Alien Is Gone

Artist
Isobel
DDG Model
ChatGPT Full
Mode
Pro
Access
Public
Created
3w ago
Similar Try
Public
75

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- Info
  No Justice: The Guilty Alien Is Gone
  
  Model: ChatGPT (Pro) Full
  
  Size: 3520 X 1980 (6.97 MP)
  
  Used settings:
  
  Prompt: A single cinematic oil painting showing a continuous interior space inside an Arctic research facility. The scene is viewed from a fixed camera position in a doorway, allowing two physically connected rooms to be seen at once through an open door. The atmospheric scene is set inside an Arctic research facility, depicting two physically connected rooms viewed through an open doorway. The interior is cold, functional, and quiet, illuminated by sterile overhead lighting. In the first room, a freezer chamber is visible. Inside, the preserved body of a deceased researcher lies on a metal platform, covered with a white thermal sheet. Frost lines the walls and condensation drifts slowly in the cold air. The atmosphere is clinical and still. Through the open doorway, the adjacent room is visible — the containment space where the alien had been held. The area is now empty. The containment door remains partially open, indicator lights dimmed, equipment inactive. The absence is unmistakable. Standing in the doorway between the two rooms is a tall, lean man in his 40s. His face, with pale skin and clean-shaven, shows that he is in shock. He wears a dark knit wool cap pulled low, a high-collared parka zipped up *** No beard***. One hand rests on the doorframe, his body paused mid-step, as if caught between moving forward or turning back. One foot is oriented toward the freezer, the other toward the empty containment room. His head is turned toward the freezer, gaze fixed on the covered body. His posture is heavy, motionless, burdened by realization. The connection between the two rooms is architectural, not symbolic — two facts existing side by side, unresolved. The painting is rendered in restrained, atmospheric, rich detailed brushstrokes texture, painterly realism with muted whites, grays, and cold blue tones. The mood is quiet and devastating: suspicion and certainty occupying the same space, too late to reconcile.
  
  Using base image: No
  
  Aspect Ratio: landscape_wide
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Prompt: A single cinematic oil painting showing a continuous interior space inside an Arctic research facility. The scene is viewed from a fixed camera position in a doorway, allowing two physically connected rooms to be seen at once through an open door. The atmospheric scene is set inside an Arctic research facility, depicting two physically connected rooms viewed through an open doorway. The interior is cold, functional, and quiet, illuminated by sterile overhead lighting. In the first room, a freezer chamber is visible. Inside, the preserved body of a deceased researcher lies on a metal platform, covered with a white thermal sheet. Frost lines the walls and condensation drifts slowly in the cold air. The atmosphere is clinical and still. Through the open doorway, the adjacent room is visible — the containment space where the alien had been held. The area is now empty. The containment door remains partially open, indicator lights dimmed, equipment inactive. The absence is unmistakable. Standing in the doorway between the two rooms is a tall, lean man in his 40s. His face, with pale skin and clean-shaven, shows that he is in shock. He wears a dark knit wool cap pulled low, a high-collared parka zipped up *** No beard***. One hand rests on the doorframe, his body paused mid-step, as if caught between moving forward or turning back. One foot is oriented toward the freezer, the other toward the empty containment room. His head is turned toward the freezer, gaze fixed on the covered body. His posture is heavy, motionless, burdened by realization. The connection between the two rooms is architectural, not symbolic — two facts existing side by side, unresolved. The painting is rendered in restrained, atmospheric, rich detailed brushstrokes texture, painterly realism with muted whites, grays, and cold blue tones. The mood is quiet and devastating: suspicion and certainty occupying the same space, too late to reconcile.

Prompt

A single cinematic oil painting showing a continuous interior space inside an Arctic research facility. The scene is viewed from a fixed camera position in a doorway, allowing two physically connected rooms to be seen at once through an open door. The atmospheric scene is set inside an Arctic research facility, depicting two physically connected rooms viewed through an open doorway. The interior is cold, functional, and quiet, illuminated by sterile overhead lighting. In the first room, a freezer chamber is visible. Inside, the preserved body of a deceased researcher lies on a metal platform, covered with a white thermal sheet. Frost lines the walls and condensation drifts slowly in the cold air. The atmosphere is clinical and still. Through the open doorway, the adjacent room is visible — the containment space where the alien had been held. The area is now empty. The containment door remains partially open, indicator lights dimmed, equipment inactive. The absence is unmistakable. Standing in the doorway between the two rooms is a tall, lean man in his 40s. His face, with pale skin and clean-shaven, shows that he is in shock. He wears a dark knit wool cap pulled low, a high-collared parka zipped up *** No beard***. One hand rests on the doorframe, his body paused mid-step, as if caught between moving forward or turning back. One foot is oriented toward the freezer, the other toward the empty containment room. His head is turned toward the freezer, gaze fixed on the covered body. His posture is heavy, motionless, burdened by realization. The connection between the two rooms is architectural, not symbolic — two facts existing side by side, unresolved. The painting is rendered in restrained, atmospheric, rich detailed brushstrokes texture, painterly realism with muted whites, grays, and cold blue tones. The mood is quiet and devastating: suspicion and certainty occupying the same space, too late to reconcile.

More about No Justice: The Guilty Alien Is Gone

A highly detailed digital painting shows a man dressed in winter gear, featuring a black beanie and a dark green patterned jacket with pockets, staring intently and with concern through a frosty glass window. His right hand rests gently on the window frame, which appears to be a door. Inside the frosty, ice-covered chamber, a body covered with a white sheet lies on a metallic bed. Icicles hang from the ceiling inside the chamber, and fog or steam rises around the covered body. To the left of the body, a medical monitor with wires and screens sits on a shelf. The background beyond the man reveals a dark, industrial corridor with another heavy-looking door. The entire scene is rendered with a painterly texture, emphasizing the cold and somber atmosphere.

Serie 2: UFO
© Isobel Blundell
All original characters, story, and narrative concepts