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Intense Chiaroscuro brilliant acrylic color contrast with strong light & shadow effect as art style of Walter Baumhofer, Earle Bergey, Rudolph Belarski & Rafael DeSoto of pulp magazine cover art, depicting a blonde short haired woman looking suspicious in a darken room, wearing a black sparkling gown, against a wall with one hand spread out, the other hand behind her back, looking towards us, standing close to a window with strong street lamp light passing through the Venetian blinds on the right, with deep blue shadows onto her, though the shadows on the wall do not fully match.
A striking full-body shot features a fair-skinned woman, facing forward with her upper body slightly turned to the left, standing against a dark blue wall. She has bright blue eyes and full red lips that are slightly parted, showcasing a subtle smile. Her blonde hair is styled in classic Hollywood waves and is parted on the right. She wears natural makeup with a strong dark eyeliner that accents her eyes, and her eyebrows are dark. She is wearing a sleeveless, floor-length, shimmering black sequin gown with thin spaghetti straps and a sweetheart neckline. Her right hand is gently placed against the wall at chest level, while her left arm is bent at the elbow, with her hand positioned near her waist, mostly hidden behind her. The lighting from the right casts striped shadows across her left arm from a window with horizontal blinds, which is visible on the right side of the image. The window also illuminates parts of the dark background, while the left side of the scene is dark, with strong shadows visible, including one on the wall to the left of her hand that resembles a stylized bat Wing.
