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Poster cover: pen, ink, watercolour by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君: Digital glitch art portrait of a pale ethereal elven high priest with glowing red eyes and vibrant red lips holding a glowing energy orb of power. Full brilliantly coloured red, green, blue, brown, yellow. a pale ethereal full length girl with glowing red eyes and vibrant red lips against a saturated boligraph composition where energy orbs gets suspended in mid air radiating energy outwards. The image embraces accumulation—each object a relic—yet binds them through rigorous cross-hatching. Chaos becomes structure, turning bric-à-brac into a coded visual system. Artistic Statement: “Bric-à-Brac” explores accumulation as language. Drawing from cubist fragmentation and obsessive boligraph technique, it transforms trivial objects into a dense architecture of meaning. The work rejects hierarchy, letting repetition, pressure, and line density create coherence from apparent disorder. Influences: Picasso structures fragmentation and multiplicity. Paul Klee brings symbolic intimacy. Fernand Léger reinforces mechanical solidity. JeanDubuffet informs raw density and anti-refinement. Miró injects subtle poetic dissonance within the clutter. A mechanical creature with circuit-board patterns on its skin is nuzzling her face. The image is heavily distorted with VHS tracking errors, pixel sorting, and chromatic aberration. Palette of neon pink, electric blue, and deep crimson. High contrast, grainy texture, cyberpunk "weirdcore" aesthetic, 90s internet nostalgia style,
Full body shot of a fair-skinned, pale elven woman with light silver hair that flows past her shoulders and delicate pointed ears. She is looking directly at the viewer with blue eyes, red lips, and minimal makeup. Her left hand is holding a glowing blue orb, and her right hand is lifting a glowing red orb on her fingertips. She is wearing a long white robe with wide, flowing sleeves, a high collar, and red trim on the cuffs and hem. The robe has elaborate gold and green embroidery on the chest, a thick red belt with a gold buckle, and gold chains that drape from her belt. Her bare feet are visible, standing on a dark, wet surface with reflections. The background features tall, jagged, ethereal structures, possibly mountains or architectural ruins, rendered in blues, grays, and hints of brown, with a sky-like blue wash in the mid-ground. The overall artistic style is reminiscent of watercolor or ink wash with fine lines and intricate details.
