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A soft, dreamlike illustration in the style of Dickensian ghost stories, set in a quiet Victorian parlor bathed in early morning light. The remnants of Christmas remain: an opened gift on the floor, a half-burned candle, empty teacups on a silver tray. A boy sleeps curled up in an armchair beneath a blanket, and the fireplace glows with the last flickers of its embers. Snow glows softly outside the frosted windows. Everything is peaceful — but something feels missing. Leaning over him, the ghostly figure of the woman, with long white hair and a flowing translucent gown, touchs gently the sleepy child, like a mother longing for him. On the mantle lies a single white feather, or a small glowing object no one remembers placing. The ghostly woman from the night before her presence lingers in the light, in the stillness, in the air itself and close to the child. The scene is quiet, reflective, and filled with unspoken magic — a moment after the supernatural has passed. The color palette is pale gold, ivory, and morning blue, with soft brushwork and a hushed emotional tone. The style is painterly and introspective, like the final page of a Victorian ghost story told by firelight — where the haunting is gentle, and the memory still lingering of her visit.
A digital painting depicts a supernatural winter scene where a ghostly, translucent woman with long, flowing white hair, wearing a white, sheer, flowing gown, gently places her hand on the head of a young boy with short brown hair, who is asleep in a yellow armchair, covered by a cream-colored. By Isobel Blundell
