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Highly detailed watercolor illustration with a strong steampunk aesthetic, inspired by Ian McQue, James Gurney, and Brian Kesinger. A young female mechanic leans against the exposed engine of a vehicle, wiping sweat from her forehead with a white cloth. She wears a grease‑stained white tank top, patchwork trousers, a leather tool belt, black fingerless gloves, and aviator goggles resting on her head. Her brown hair is tied in a messy bun, and she holds a large wrench in her left hand. In the foreground, the engine appears complex and weathered: hissing pistons, brass gears, metal grilles, and oxidized surfaces releasing thin trails of smoke. The workshop is filled with massive bronze gears, chains, and pipes. Dense white steam drifts through the air, intersected by dramatic beams of light from a skylight above. Watercolor textures are visible in soft washes, water stains, and translucent edges. Warm copper and ochre tones dominate the metal, contrasting with the cool blues of her trousers and the bright whites of smoke and light.Artistic signature in the lower corner.
A steampunk digital painting by John Barry depicts a tired female mechanic, brown hair tied in a bun, wearing steampunk goggles on her forehead. She wears a dirty white tank top, blue ripped jeans with brown patches, a brown leather belt with a buckle, and one fingerless black glove on her left hand. Her right hand rests on the fender of a disassembled, rusted steampunk car, holding a white cloth to wipe sweat from her brow. Her skin is pale, and her cheeks are rosy. The car's engine is exposed, featuring brass-colored pistons and intricate gears. Steam rises from the engine, and sparks are visible. In the background, large bronze gears and chains hang from the ceiling, illuminated by sunlight streaming through a window. The overall aesthetic is a watercolor painting style.
