Prompt: Like gazing into her own reflection, a hyper-realistic 3D holographic cutaway portrait of a woman emerges in ultra-sharp 32k resolution, her mirrored likeness split between the surface of human form and the inner civilisation it conceals. Her wild, wind-blown hair fans outward in sculptural turbulence, strands frozen in lifelike motion, as though both sides of the mirror carry the same restless energy. Her figure is revealed as a living cutaway diagram, dissolving along its mirrored plane into a complex architectural cross-section. Within her head unfolds a fully realised metropolis: stacked layers of streets, avenues, bridges, and elevated highways winding through the architecture of her skull. Vehicles glow like fleeting sparks, streetlights cast delicate halos, and high-rise structures intertwine with pedestrian pathways. Between these engineered grids, green parklands break through like fragments of memory. The civilisation within bustles with miniature, hyper-detailed figures—tiny yet vivid—each moving with deliberate intent, suggesting a society "living rent-free" inside her mind, endlessly at work within thought’s architecture. The mirrored composition doubles the illusion, as though two perspectives are locked in dialogue: the external figure of the woman, rendered in translucent, porcelain-like clarity, and her inner framework of civilisation projected back at her. Transparent holographic layering enhances the schematic precision, each tier of the city stacked with architectural depth, recalling the drafted intricacies of Lebbeus Woods, yet imbued with cinematic vitality reminiscent of Beeple’s digital maximalism. Surface textures heighten the tension between fragility and strength: fractured seams glimmer faintly like holographic kintsugi, neon threads pulse through exposed layers, and faint grids ripple across the mirrored planes. Roads shimmer with wet-textured realism, headlights trace faint neon arcs, while structures shift subtly with reflective distortions, echoing Escher’s fascination with recursive perception. The atmosphere is both cinematic and schematic, oscillating between raw technical precision and dreamlike intensity. The chiaroscuro contrasts of shadow and faint illumination carve depth into her form and the mirrored metropolis within, balancing the realism of human presence with the complexity of imagined civilisation. The result is a portrait of haunting intricacy: a mirrored woman whose reflection reveals not only her likeness, but an entire living city nested within her mind—an immersive, hyper-detailed fusion of portraiture, architecture, and holographic world-building.
Prompt: Like gazing into her own reflection, a hyper-realistic 3D holographic cutaway portrait of a woman emerges in ultra-sharp 32k resolution, her mirrored likeness split between the surface of human form and the inner civilisation it conceals. Her wild, wind-blown hair fans outward in sculptural turbulence, strands frozen in lifelike motion, as though both sides of the mirror carry the same restless energy. Her figure is revealed as a living cutaway diagram, dissolving along its mirrored plane into a complex architectural cross-section. Within her head unfolds a fully realised metropolis: stacked layers of streets, avenues, bridges, and elevated highways winding through the architecture of her skull. Vehicles glow like fleeting sparks, streetlights cast delicate halos, and high-rise structures intertwine with pedestrian pathways. Between these engineered grids, green parklands break through like fragments of memory. The civilisation within bustles with miniature, hyper-detailed figures—tiny yet vivid—each moving with deliberate intent, suggesting a society "living rent-free" inside her mind, endlessly at work within thought’s architecture. The mirrored composition doubles the illusion, as though two perspectives are locked in dialogue: the external figure of the woman, rendered in translucent, porcelain-like clarity, and her inner framework of civilisation projected back at her. Transparent holographic layering enhances the schematic precision, each tier of the city stacked with architectural depth, recalling the drafted intricacies of Lebbeus Woods, yet imbued with cinematic vitality reminiscent of Beeple’s digital maximalism. Surface textures heighten the tension between fragility and strength: fractured seams glimmer faintly like holographic kintsugi, neon threads pulse through exposed layers, and faint grids ripple across the mirrored planes. Roads shimmer with wet-textured realism, headlights trace faint neon arcs, while structures shift subtly with reflective distortions, echoing Escher’s fascination with recursive perception. The atmosphere is both cinematic and schematic, oscillating between raw technical precision and dreamlike intensity. The chiaroscuro contrasts of shadow and faint illumination carve depth into her form and the mirrored metropolis within, balancing the realism of human presence with the complexity of imagined civilisation. The result is a portrait of haunting intricacy: a mirrored woman whose reflection reveals not only her likeness, but an entire living city nested within her mind—an immersive, hyper-detailed fusion of portraiture, architecture, and holographic world-building.
Would you like to report this Dream as inappropriate?
Prompt:
Like gazing into her own reflection, a hyper-realistic 3D holographic cutaway portrait of a woman emerges in ultra-sharp 32k resolution, her mirrored likeness split between the surface of human form and the inner civilisation it conceals. Her wild, wind-blown hair fans outward in sculptural turbulence, strands frozen in lifelike motion, as though both sides of the mirror carry the same restless energy. Her figure is revealed as a living cutaway diagram, dissolving along its mirrored plane into a complex architectural cross-section. Within her head unfolds a fully realised metropolis: stacked layers of streets, avenues, bridges, and elevated highways winding through the architecture of her skull. Vehicles glow like fleeting sparks, streetlights cast delicate halos, and high-rise structures intertwine with pedestrian pathways. Between these engineered grids, green parklands break through like fragments of memory. The civilisation within bustles with miniature, hyper-detailed figures—tiny yet vivid—each moving with deliberate intent, suggesting a society "living rent-free" inside her mind, endlessly at work within thought’s architecture. The mirrored composition doubles the illusion, as though two perspectives are locked in dialogue: the external figure of the woman, rendered in translucent, porcelain-like clarity, and her inner framework of civilisation projected back at her. Transparent holographic layering enhances the schematic precision, each tier of the city stacked with architectural depth, recalling the drafted intricacies of Lebbeus Woods, yet imbued with cinematic vitality reminiscent of Beeple’s digital maximalism. Surface textures heighten the tension between fragility and strength: fractured seams glimmer faintly like holographic kintsugi, neon threads pulse through exposed layers, and faint grids ripple across the mirrored planes. Roads shimmer with wet-textured realism, headlights trace faint neon arcs, while structures shift subtly with reflective distortions, echoing Escher’s fascination with recursive perception. The atmosphere is both cinematic and schematic, oscillating between raw technical precision and dreamlike intensity. The chiaroscuro contrasts of shadow and faint illumination carve depth into her form and the mirrored metropolis within, balancing the realism of human presence with the complexity of imagined civilisation. The result is a portrait of haunting intricacy: a mirrored woman whose reflection reveals not only her likeness, but an entire living city nested within her mind—an immersive, hyper-detailed fusion of portraiture, architecture, and holographic world-building.
The image features two faces merging with a cityscape, showcasing a blend of human and urban elements. Their flowing hair resembles roads and greenery, symbolizing connection and coexistence.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
Artist
