+ Prompt:Vibrant headshot portrait, intricate linework, psychedelic & fluorescent color palette, gradient inking colors of sea-green dark-green yellow-green, alcohol ink and crayon medium, stylized poetic essence, detailed and crisp, pencil and ink by Jean-Baptiste Monge, Arlie Opal's unique style, Ho Baron's embodiment influence, Ed Binkley's outlines, non-figurative, reminiscent of August Macke and Bierstadt and Eastman Johnson, comely, artful, dynamic lighting 1.4, unique, light-blue and sea-green, forest-green, lawn-green, subsurfacfe scattering 1.3, multi-layered eyes, brightness 1.9, dyed, blotted, tonalism, stylized foampunk, figurative, etching details, cel-shaded, emulsion shifts, green gradient inking, glowing sunlight filtering, liminal, hues by Freda People, emulsion shifts, light transitions, joyful, shimmering reflections, complex lighting and pointilism theme. Post-impressionist ink wash illustration in the style of Edward Hopoper romanticism, wavery dynamic lighting, opalescent effects, dof, debeh, bokeh, high resolution, whimsical touch, by Dee Nickerson and N.C. Wyeth, post-avantgarde style, overflowing with visual density, trippy and overwhelming, large-scale complexity, colorful, surreal sketchbook art, tesselated patterns, micro-level intricacy, mip-mapping, reflective mapping, liminal, joyful, futuristic, greenish gradient color inking, polished, liminal, iridescent, champlevé watercolor technique, dry ink brush outlines, reminiscent of Georgia O'Keeffe's style in sprayed painture, warm pastel color palette, layers of fabric that blend with turbulent flares, amidst scruff, liminal, dynamic lighting effects, ambient occlusion, hues by Ho baron, lighting by Ed Paschke, consistent lines for a coherent and nuanced composition, illuminated by dappled lighting. tesselated, stippled, blotted textures for a touch of realism, with a nod to 1970's vintage cartoon aesthetics, detailed fantasy illustration reminiscent of American Gothic merged with comic book art. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3, darkened metallic-honey accents, wavery dappled lighting, zentangle, rim lighting, otherworldly ambiance, hatching influences, color hues by Overton Loyd and Ho baron,delicate surrounding outlines, enlightened line-art details, brightness 1.3, linework, contouring outlines by Freda People, merged styles of Tami Bone & Chaim Soutine, perpendicular, sfumato effects, dappled lighting, dynamic lighting, blurred edges, cel-shaded, sculpted, dof, debeh, bokeh, plasticity 1.3, alcohol ink coloring by Peter Wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, thinned paint on cracked paper texture, Psychedelic linework, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. fine-line art, indiecore and pulp-art,, watercolor and ink in the style of Düsseldorf School of painting, pointilism,
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
Artist
+ Prompt:
Vibrant headshot portrait, intricate linework, psychedelic & fluorescent color palette, gradient inking colors of sea-green dark-green yellow-green, alcohol ink and crayon medium, stylized poetic essence, detailed and crisp, pencil and ink by Jean-Baptiste Monge, Arlie Opal's unique style, Ho Baron's embodiment influence, Ed Binkley's outlines, non-figurative, reminiscent of August Macke and Bierstadt and Eastman Johnson, comely, artful, dynamic lighting 1.4, unique, light-blue and sea-green, forest-green, lawn-green, subsurfacfe scattering 1.3, multi-layered eyes, brightness 1.9, dyed, blotted, tonalism, stylized foampunk, figurative, etching details, cel-shaded, emulsion shifts, green gradient inking, glowing sunlight filtering, liminal, hues by Freda People, emulsion shifts, light transitions, joyful, shimmering reflections, complex lighting and pointilism theme. Post-impressionist ink wash illustration in the style of Edward Hopoper romanticism, wavery dynamic lighting, opalescent effects, dof, debeh, bokeh, high resolution, whimsical touch, by Dee Nickerson and N.C. Wyeth, post-avantgarde style, overflowing with visual density, trippy and overwhelming, large-scale complexity, colorful, surreal sketchbook art, tesselated patterns, micro-level intricacy, mip-mapping, reflective mapping, liminal, joyful, futuristic, greenish gradient color inking, polished, liminal, iridescent, champlevé watercolor technique, dry ink brush outlines, reminiscent of Georgia O'Keeffe's style in sprayed painture, warm pastel color palette, layers of fabric that blend with turbulent flares, amidst scruff, liminal, dynamic lighting effects, ambient occlusion, hues by Ho baron, lighting by Ed Paschke, consistent lines for a coherent and nuanced composition, illuminated by dappled lighting. tesselated, stippled, blotted textures for a touch of realism, with a nod to 1970's vintage cartoon aesthetics, detailed fantasy illustration reminiscent of American Gothic merged with comic book art. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3, darkened metallic-honey accents, wavery dappled lighting, zentangle, rim lighting, otherworldly ambiance, hatching influences, color hues by Overton Loyd and Ho baron,delicate surrounding outlines, enlightened line-art details, brightness 1.3, linework, contouring outlines by Freda People, merged styles of Tami Bone & Chaim Soutine, perpendicular, sfumato effects, dappled lighting, dynamic lighting, blurred edges, cel-shaded, sculpted, dof, debeh, bokeh, plasticity 1.3, alcohol ink coloring by Peter Wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, thinned paint on cracked paper texture, Psychedelic linework, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. fine-line art, indiecore and pulp-art,, watercolor and ink in the style of Düsseldorf School of painting, pointilism,
