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Frans-Belgische graphic novel coloring, dominant visible ink linework and crosshatching, cold slate-blue shadows, graphite blacks, muted desaturated palette, warm amber practical lighting, old brass highlights, wet reflective floors, aged ivory paper tones, subtle sepia undertones, low saturation, strong chiaroscuro, atmospheric noir mood, visible brush textures, organic ink strokes, weathered surfaces, realistic human faces, European graphic novel aesthetics, linework remains dominant, color applied as transparent ink washes, not painted, not cinematic concept art, not fantasy, rich texture, tactile print quality, dramatic warm-versus-cool contrast.
A highly detailed comic book style illustration shows a frightened young boy running away from a terrifying nun, with another nun visible in the background, in a dark and gritty hallway. The boy, positioned in the foreground and slightly to the left, has a distressed expression with his brows furrowed and mouth open slightly, revealing teeth. He is wearing a grey knitted sweater over a light-colored collared shirt, and dark trousers. His arms are bent at the elbows, hands clenched into fists, indicating he is actively running. He wears dark, laced boots. The flooring beneath him is wet and reflective, showing distorted reflections of the hallway and figures.
Behind the boy, and slightly to the right, a nun with an intensely menacing and angry expression is in pursuit. Her mouth is open in a scream, revealing sharp teeth, and her eyes are wide and sinister. She wears a traditional black nun's habit with a white wimple and a white apron over a black dress. Her left hand is extended, as if reaching for the boy, while her right hand holds a small, rectangular wooden box labeled "SACRAMENTAL BREAD" with a cross symbol. A door frame is visible behind her, leading into a
