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"Cogito, ergo sum or Reductio ad Absurdum", the recursive tautology of those captive to the mirror of their own vanity.
by © emma cha
Mind folds into self,
mirrors breed their mirrored ghosts—
reason blurs to mask.
A seated figure applies makeup before an ornate mirror, yet every reflected layer dissolves into fragmented silhouettes. The space around ripples with abstract stains of color, merging portraiture, ego, and illusion. Reality, vanity, and logic collapse into a recursive visual paradox.
Artistic Statement:
This work fuses pop-surreal figuration with neo-expressionist stain fields, evoking traditions of self-portraiture confronted by abstraction. The mirror becomes a philosophical device, echoing the Baroque fascination with vanitas while adopting modern recursive and conceptual aesthetics.
Influences:
Francis Bacon for psychological distortion, David Hockney for spatial ambiguity, Egon Schiele for contoured figuration, Tamara de Lempicka for stylized elegance, and Gerhard Richter for oscillations between realism and abstraction.
Together they form a lineage of introspective yet fractured visual identity.
Tags: #aiart #cartesianparadox #deepdreamgenerator #emmacha #miseenabymeart #speculumvanitatis #surrealmodernism #tautologiarecursiva
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"Cogito, ergo sum or Reductio ad Absurdum", the recursive tautology of those captive to the mirror of their own vanity.
by © emma cha
Mind curls in circles,
mirrors dream their own logic—
self becomes echo.
A pop-surreal meditation where identity fractures inside an ornate mirror. The figure’s calm ritual of self-construction contrasts with drifting stain-fields that dissolve boundaries of body and world. Vanitas, recursion, and abstraction merge into a quiet proof that reason falters when faced with its own reflection.
#aiart #cartesianparadox #deepdreamgenerator #emmacha #miseenabymeart #speculumvanitatis #surrealmodernism #tautologiarecursiva