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ArtistA cow fragmented and rearranged within a strict geometric grid inspired by Piet Mondrian. The image is divided into rectangular sections with strong black lines forming a grid composition. Each section contains a different, dislocated part of the cow: the head isolated in one rectangle, legs scattered across separate panels, torso broken into blocks, tail detached and placed elsewhere. The cow parts are anatomically recognizable but deliberately misordered and spatially disconnected. Flat areas of primary colors — red, blue, yellow — alternate with white spaces, integrated into the grid structure. Painterly texture, visible brushstrokes, abstract-modernist style. The cow appears sliced and reorganized by the geometry itself, as if trapped inside a modernist painting. Surreal but controlled composition, balance between figurative elements and abstract structure. Artistic, non-realistic, modern art aesthetic.
A painting in the style of Piet Mondrian, depicting a black and white cow composed of disassembled parts, laid out over a grid of red, yellow, blue, and white rectangles. The cow's head is in the upper left on a red background. The body is fragmented into sections, with parts like legs and the udder appearing within different colored or white rectangles, often slightly out of alignment. The entire composition has thick black lines segmenting the colored and white squares.