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A dark, gothic abstraction in which flowers appear as condensed shadows and tense pauses between them. The image features a black calla lily, a dark hellebore rose, and a wilted peony of a deep wine hue. Their petals lack clear boundaries, seemingly rising from a thick, damp fog, dissolving and reappearing in the semi-darkness. The background is a muted lilac tone—cold, twilight, creating a sense of nocturnal space. The bottom layer is painted in wet-on-watercolor, creating depth and fluidity of the environment. Above is a dense, textured oil painting, almost sculptural, with heavy, confident brushstrokes. Silver foil appears in the breaks in the texture, casting cool reflections, like an inner light shining through the darkness. The color scheme is restrained, somber, and focused: deep lilac-violet—like the expanse of night, dark plum and wine—like the hidden flesh of a flower, smoky gray—like a pause and coldness, silvery nuances—like light trapped in matter, refusing to fade. The painting unfolds slowly. It is not about beauty in the usual sense—it is a work about tension, silence, and inner resilience, about the fragile balance between the fluidity of watercolor and the heaviness of oil, between darkness and contained light.
A devastated soul like withered flowers stolen by war, but spring will paint a new life filled with the colors of hope.