My Sister Get Censored

Figure in Draping Fabric Surrounded by Roses

Artist
Emiliano G...
Prompt
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DDG Model
DaVinci2
Access
Public
Created
5h ago
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Public
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  My Sister Get Censored
  
  Model: DaVinci2
  
  Size: 1544 X 2744 (4.24 MP)
  
  Used settings:
  
  Prompt: A hauntingly elegant interpretation in the expressive, painterly style of Pier Toffoletti, where realism and abstraction merge in fluid emotion. The image portrays a young woman in a form-fitting dress that fuses anatomical symbolism with sensual couture. The garment — a sculptural blend of fabric, flesh tones, and artistic deconstruction — reveals an embroidered ribcage motif over a deep crimson core, as if the body itself were part of the artwork. The color palette flows in warm, visceral harmony: soft ivory whites (Pantone 11-0602 TCX) and pale beiges (Pantone 7527 C) blend into oxidized reds (Pantone 7623 C) and antique rose hues (Pantone 7604 C), dissolving into the background through Toffoletti’s signature technique — blurred edges, dripping pigments, and translucent overlays that evoke breath and motion. Her hooded form is both sensual and sacred, evoking mystery and rebirth. The roses adorning her shoulders and hips melt into brushstrokes, half paint, half memory. Her skin, softly illuminated, has a porcelain glow (Pantone 468 C), yet bears the warmth of human fragility. Her expression is serene but distant, eyes reflecting melancholy and quiet strength. Toffoletti’s fragmented texture breaks her silhouette into swirling layers of pigment and light — part of her dissolving into the canvas, part emerging from it, as though painted by emotion itself. The background is minimal and earthy (Pantone 7531 C), a neutral haze that amplifies her presence and gives the illusion of movement in stillness. The composition balances feminine grace and existential vulnerability, blurring the border between beauty, mortality, and transcendence. The result feels like an intimate portrait of the soul — a woman unwrapped from her own mythology, suspended between sensuality and spiritual revelation, captured in Toffoletti’s ethereal language of abstraction and emotion.
  
  Using base image: Yes (Effect strength - 25%)
  
  Base image resolution: 2MP
  
  Upscale & Enhance: 1
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Prompt: A hauntingly elegant interpretation in the expressive, painterly style of Pier Toffoletti, where realism and abstraction merge in fluid emotion. The image portrays a young woman in a form-fitting dress that fuses anatomical symbolism with sensual couture. The garment — a sculptural blend of fabric, flesh tones, and artistic deconstruction — reveals an embroidered ribcage motif over a deep crimson core, as if the body itself were part of the artwork. The color palette flows in warm, visceral harmony: soft ivory whites (Pantone 11-0602 TCX) and pale beiges (Pantone 7527 C) blend into oxidized reds (Pantone 7623 C) and antique rose hues (Pantone 7604 C), dissolving into the background through Toffoletti’s signature technique — blurred edges, dripping pigments, and translucent overlays that evoke breath and motion. Her hooded form is both sensual and sacred, evoking mystery and rebirth. The roses adorning her shoulders and hips melt into brushstrokes, half paint, half memory. Her skin, softly illuminated, has a porcelain glow (Pantone 468 C), yet bears the warmth of human fragility. Her expression is serene but distant, eyes reflecting melancholy and quiet strength. Toffoletti’s fragmented texture breaks her silhouette into swirling layers of pigment and light — part of her dissolving into the canvas, part emerging from it, as though painted by emotion itself. The background is minimal and earthy (Pantone 7531 C), a neutral haze that amplifies her presence and gives the illusion of movement in stillness. The composition balances feminine grace and existential vulnerability, blurring the border between beauty, mortality, and transcendence. The result feels like an intimate portrait of the soul — a woman unwrapped from her own mythology, suspended between sensuality and spiritual revelation, captured in Toffoletti’s ethereal language of abstraction and emotion.
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