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In the world of Fragile Vision, every painting begins not with colour, but with a breath, a quiet fragment of poetry. From that breath, pigment drifts outward, carrying emotions too delicate for speech. Full brilliantly coloured red, green, blue, brown. Two young brownish skin tone balinese women drawn in a simple abstract surreal minimal style of artist Cheong Soo Pieng, with their disproportionally large almond shaped eyes closed with thick dark eye slits & thick pinkish lips, black long hair with turban, seated closely together beneath a dense, stylized canopy of leaves. Both figures have unnaturally elongated bodies & limbs, wearing batik patterned traditional Balinese costumes, gently tilted heads, and closed or half-closed eyes with lashes, conveying quiet intimacy, contemplation, and emotional closeness. Their facial features are simplified and almond-shaped, with smooth, matte skin tones in warm ochres and muted browns. One woman leans her head softly against the other’s shoulder. They wear traditional patterned sarongs with intricate batik-inspired motifs in earthy reds, greens, and golds. One figure has a white cloth draped loosely over her shoulders, partially revealing her torso, rendered in a dignified, non-sensational manner. Hair is dark, sleek, and simply styled; small red earrings add restrained color accents, in the style of Kusama, against palm leaves & ferns on a white canvas, under shimmering waves of light & shadow, in the art style of Takashi Murakami. The background is richly textured and decorative rather than realistic: a tapestry-like field of repeating leaf patterns in gold, brown, and black fills the upper half, while the ground is composed of dotted, stippled textures in warm earth tones.
A full body shot of a young East Asian conceptual art model split into three sections, the first section of the model is in front of a contrasting black background, the next two sections are a painted rendering of the model in front of an abstract painted background, a woman in a full shot in the middle. The woman has long dark hair tied up into a loose ponytail with a white flower pinned into it, she is looking to the right. She is wearing a cream-colored kimono with a belt tied around her waist with hanging fabric over the bottom portion of the kimono. The last two images are a half-shot painting of a woman that looks similar to the first model. The woman has a white flower (different from the first image) on the top of her head. The woman is wearing a dark green top with a turquoise garment over the top, tied together by a red belt around her waist. She has dark hair with a floral ornament. The background is an abstract painting with a muted brown background with splatters of red, blue, green, and black paint. The wall has texture and what appears to be a worn pattern to the paint.
