Prompt: I beheld a chamber so prodigious in its dimensions that even the grand arena of ancient Rome, that colossus of human pride, seemed by comparison a mere child’s amphitheater—this was no construction of man. It was an abyssal vault hewn from the heart of the earth itself, from stone that bore the hue of dried blood mingled with rust, red-brown and bruised by ages. The air within held a silent gravity, a reverent dread, as though it had not been disturbed for millennia, as though the rock itself breathed solemnity and secrecy.
The walls, irregular and coarse as if gnawed by time or claw, soared up into a vaulted gloom from which no light source could be seen, yet all was faintly illumined by some uncanny phosphorescence, as if the very stone exhaled a corpse-light. Within this cyclopean crypt stood row upon row of vast contrivances—engines, wombs, tombs—at first glance resembling titanic kettles forged of burnished copper. Each was as large as a farmer’s cart, and in their rounded, burnished flanks were set thickened panes of green glass, warped with age and pressure, their surface dulled by time and yet betraying, through that murky translucence, the unthinkable contents within.
Suspended in each vat—no, entombed—floated a figure. And these were not the forms of men, though their silhouettes hinted at some dreadful parody of the human shape. They were tall, impossibly slender, and their limbs held a grace not born of our world. Each bore long, curling horns that arced like question marks from brows too wide, too silent. Their visages were masks of tranquil beauty, a beauty that stirred revulsion—perfect, serene, and wholly alien. Their eyes remained closed, though even in slumber there seemed a watching, a knowing, as though their dreams crept outward in invisible tendrils.
They hung in fluid stasis, swathed in a gelatinous medium the color of jaundiced emeralds, and though their chests did not rise, a sense of growth—a slow, unnatural becoming—thrummed in the silence.
From the base of each metallic womb extended thick brass pipes, organ-like, which slithered across the floor like serpents caught mid-coil, and rose in winding tangles toward the unseen ceiling. There they formed a congested canopy of conduits, an intricate forest of gleaming limbs, forming a web of alchemical and perhaps spiritual intercourse between the vessels. It was as if the room itself was a great lung or mind, every pipe a nerve, every join a pulse point.
From the seams and fissures of this grotesque machinery there wept a fluid. It fell in heavy drops—green, slow-moving, and gemlike—as if the very lifeblood of this monstrous nursery condensed in sorrowful beads. Upon striking the stone, the drops crystallized instantly into jagged pearls of ichor, each one humming with a quiet menace, as though storing whispers. I dared not touch them.
There was a sanctity to the place, a wicked reverence. My soul trembled with the recognition that I stood not within a laboratory or temple, but in some terrible confluence of both—a genesis chamber for the gods of a forgotten pantheon, or the unborn nightmares of a race long buried beneath the earth. The silence pressed upon me, thick and alive. And in that silence, I felt the great room breathe.
Prompt: I beheld a chamber so prodigious in its dimensions that even the grand arena of ancient Rome, that colossus of human pride, seemed by comparison a mere child’s amphitheater—this was no construction of man. It was an abyssal vault hewn from the heart of the earth itself, from stone that bore the hue of dried blood mingled with rust, red-brown and bruised by ages. The air within held a silent gravity, a reverent dread, as though it had not been disturbed for millennia, as though the rock itself breathed solemnity and secrecy.
The walls, irregular and coarse as if gnawed by time or claw, soared up into a vaulted gloom from which no light source could be seen, yet all was faintly illumined by some uncanny phosphorescence, as if the very stone exhaled a corpse-light. Within this cyclopean crypt stood row upon row of vast contrivances—engines, wombs, tombs—at first glance resembling titanic kettles forged of burnished copper. Each was as large as a farmer’s cart, and in their rounded, burnished flanks were set thickened panes of green glass, warped with age and pressure, their surface dulled by time and yet betraying, through that murky translucence, the unthinkable contents within.
Suspended in each vat—no, entombed—floated a figure. And these were not the forms of men, though their silhouettes hinted at some dreadful parody of the human shape. They were tall, impossibly slender, and their limbs held a grace not born of our world. Each bore long, curling horns that arced like question marks from brows too wide, too silent. Their visages were masks of tranquil beauty, a beauty that stirred revulsion—perfect, serene, and wholly alien. Their eyes remained closed, though even in slumber there seemed a watching, a knowing, as though their dreams crept outward in invisible tendrils.
They hung in fluid stasis, swathed in a gelatinous medium the color of jaundiced emeralds, and though their chests did not rise, a sense of growth—a slow, unnatural becoming—thrummed in the silence.
From the base of each metallic womb extended thick brass pipes, organ-like, which slithered across the floor like serpents caught mid-coil, and rose in winding tangles toward the unseen ceiling. There they formed a congested canopy of conduits, an intricate forest of gleaming limbs, forming a web of alchemical and perhaps spiritual intercourse between the vessels. It was as if the room itself was a great lung or mind, every pipe a nerve, every join a pulse point.
From the seams and fissures of this grotesque machinery there wept a fluid. It fell in heavy drops—green, slow-moving, and gemlike—as if the very lifeblood of this monstrous nursery condensed in sorrowful beads. Upon striking the stone, the drops crystallized instantly into jagged pearls of ichor, each one humming with a quiet menace, as though storing whispers. I dared not touch them.
There was a sanctity to the place, a wicked reverence. My soul trembled with the recognition that I stood not within a laboratory or temple, but in some terrible confluence of both—a genesis chamber for the gods of a forgotten pantheon, or the unborn nightmares of a race long buried beneath the earth. The silence pressed upon me, thick and alive. And in that silence, I felt the great room breathe.
Would you like to report this Dream as inappropriate?
Prompt:
I beheld a chamber so prodigious in its dimensions that even the grand arena of ancient Rome, that colossus of human pride, seemed by comparison a mere child’s amphitheater—this was no construction of man. It was an abyssal vault hewn from the heart of the earth itself, from stone that bore the hue of dried blood mingled with rust, red-brown and bruised by ages. The air within held a silent gravity, a reverent dread, as though it had not been disturbed for millennia, as though the rock itself breathed solemnity and secrecy.
The walls, irregular and coarse as if gnawed by time or claw, soared up into a vaulted gloom from which no light source could be seen, yet all was faintly illumined by some uncanny phosphorescence, as if the very stone exhaled a corpse-light. Within this cyclopean crypt stood row upon row of vast contrivances—engines, wombs, tombs—at first glance resembling titanic kettles forged of burnished copper. Each was as large as a farmer’s cart, and in their rounded, burnished flanks were set thickened panes of green glass, warped with age and pressure, their surface dulled by time and yet betraying, through that murky translucence, the unthinkable contents within.
Suspended in each vat—no, entombed—floated a figure. And these were not the forms of men, though their silhouettes hinted at some dreadful parody of the human shape. They were tall, impossibly slender, and their limbs held a grace not born of our world. Each bore long, curling horns that arced like question marks from brows too wide, too silent. Their visages were masks of tranquil beauty, a beauty that stirred revulsion—perfect, serene, and wholly alien. Their eyes remained closed, though even in slumber there seemed a watching, a knowing, as though their dreams crept outward in invisible tendrils.
They hung in fluid stasis, swathed in a gelatinous medium the color of jaundiced emeralds, and though their chests did not rise, a sense of growth—a slow, unnatural becoming—thrummed in the silence.
From the base of each metallic womb extended thick brass pipes, organ-like, which slithered across the floor like serpents caught mid-coil, and rose in winding tangles toward the unseen ceiling. There they formed a congested canopy of conduits, an intricate forest of gleaming limbs, forming a web of alchemical and perhaps spiritual intercourse between the vessels. It was as if the room itself was a great lung or mind, every pipe a nerve, every join a pulse point.
From the seams and fissures of this grotesque machinery there wept a fluid. It fell in heavy drops—green, slow-moving, and gemlike—as if the very lifeblood of this monstrous nursery condensed in sorrowful beads. Upon striking the stone, the drops crystallized instantly into jagged pearls of ichor, each one humming with a quiet menace, as though storing whispers. I dared not touch them.
There was a sanctity to the place, a wicked reverence. My soul trembled with the recognition that I stood not within a laboratory or temple, but in some terrible confluence of both—a genesis chamber for the gods of a forgotten pantheon, or the unborn nightmares of a race long buried beneath the earth. The silence pressed upon me, thick and alive. And in that silence, I felt the great room breathe.
Modifiers:
intricate
8k
dynamic lighting
ultra detailed
high definition
Boris Vallejo
Zdzislaw Beksinski
Stephen R. Bissette
Medieval architecture
More about The Last Outpost of Humanity in a Dying Future
A surreal, cavernous landscape features intricate, organic structures with glowing green elements. These fantastical forms resemble giant pods, interconnected by delicate tendrils in a dreamlike setting.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
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