Take Me to Church: Duality of Flesh and Metal in Motion

More about Take Me to Church: Duality of Flesh and Metal in Motion

A highly detailed, painted artwork depicting a woman with long, flowing dark hair and dark eyes, standing in the foreground, facing the viewer. The woman's body transitions from human flesh on the left side to a metallic, robotic structure on the right side. Her face is split, with the left side human and the right side robotic. Gold, purple, and blue swirling lines and paint splatters emanate from her body, creating a sense of movement and energy, partially obscuring her form, particularly around her chest, midsection, and extending towards her left leg. Her right arm is entirely robotic, formed from dark gray and silver metal components. Her right leg is also robotic, with visible mechanical joints and a metallic foot, while her left leg and foot are human.

The background is a dark, gothic, cathedral-like interior with pointed arches and columns. Two large stained-glass windows are visible, one prominently behind the woman's head and extending to the right, displaying intricate patterns in red, orange, blue, and purple hues. Another smaller stained-glass window is visible on the far left. Light from the stained-glass windows casts colorful reflections onto the dark, tiled floor. The overall style is reminiscent of neo...

©by Sorrah