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the prospect that thinking and feeling could actually draw directly from implicate orders, from the holoflux, for instance in profound artistic creations or extraordinary insights in scientific thinking.
A fantastical oil painting features a woman with teal hair and light-blue eyes, her face partially submerged in dark blue water. Above the water, her eyes are wide open, gazing straight ahead with long, delicate eyelashes. Below the waterline, the lower part of her face, including her nose and mouth, takes on a muted, darker hue, with her lips a distinct blue. Her hair, a vibrant teal, frames her face and flows downwards.
The woman’s figure is enclosed within a rectangular frame that stands out against a backdrop of a pine forest under a tranquil blue sky. The background is divided horizontally by the horizon line of the forest, with a lighter, almost white sky above and darker, distinct green pine trees below. The framing is such that the sky and parts of the forest are visible only on the top and sides of her face, enhancing the surreal effect.
In the foreground, a colorful parrot with a red face, a small white beak, and a mix of green, yellow, and blue feathers perches on a bare, dark brown branch. The parrot is positioned on the right side of the painting, slightly below the woman’s face, and looks towards the left. The branch extends diagonally across the lower right
