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A museum-grade Japanese shin-hanga woodblock print in the exact style of Hashiguchi Goyō, depicting a bijin-ga subject in a quiet, intimate moment. A young Japanese woman in three-quarter profile gently combs her long, flowing black hair. Her head tilts downward slightly, eyes lowered in calm introspection. The hair is rendered with extreme precision—dense, glossy, and flowing in thick strands—occupying a large portion of the composition. She wears a blue kimono with repeating white floral patterns, flat and decorative, contrasting with the organic movement of the hair. Her skin is pale and smooth, softly shaded with subtle bokashi gradation. Facial features are minimal and refined: narrow eyes, delicate brows, soft lips. The background is empty and pale, with no architectural or narrative elements, emphasizing privacy and stillness. Linework is extraordinarily fine, colour application restrained and elegant. No dramatic gesture, no erotic exaggeration—only quiet beauty, realism, and psychological depth. Strict shin-hanga woodblock aesthetics: – flat colour planes – crisp carved outlines – visible washi paper texture – subdued, harmonious palette – no modern realism, no digital effects The image must read instantly as a Taishō-era Hashiguchi Goyō bijin-ga masterpiece.
A traditional Japanese ukiyo-e woodblock print portrait of a woman combing her long, flowing black hair, facing left and looking downwards. She has light skin, small red lips, delicate eyebrows, and her eyes are mostly closed. Her visible ear is covered by a few strands of hair. She is wearing a blue kimono patterned with white cherry blossoms and some light pink accents at the collar and sleeves. Her left hand holds a dark comb, while her right hand gently holds her hair below the comb. The background is a plain, light beige color. A red seal and Japanese calligraphy are visible in the bottom left corner.
