Shed to ooze

Shed to ooze

• Model: DaVinci2

• Size: 1696 X 704 (1.19 MP)

• Used settings:

  • Prompt: Headshot, Vibrant ink art in motion, glittering reflections, diaphanous luminous glow from the inside, mip-mapping, collage art reminiscence, female, 1face, solo, 3d effects, coloring by Mike Zeck & Barclay Shaw, coveted, polished orphism, slightly warped cinematic view, soft washes, indiecore, warm tones, high-resolution, natural lighting casting soft shadows, artistic interpretation. 3d effect, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k ((abstract female headshot, dynamic lighting 1.3, fantasy sketch art artwork, bo-golden) 4:11), dark fantasy, <lora:ponyv4_noob1_2_adamW-000017:0.75>, harmonious contrast, collagraphy print, realistic close-up. Layered and stylized portraiture by Ed Binkley, style with heavy Ben-Day dots and bold outlines. Diego Rivera-inspired Impressionism, brightness 1.3, texture mapping 1.3, closed mouth, light transitions, phong shading 1.7, parallax occlusion 1.2, blending with textures reminiscent of comic book cover art, visible aura energy is intricately blended with visual depth and sharp focus. The painting is an stylized masterpiece with a volumetric soft light diffusion effect for orphism, tesselated, outlined, hues by Hieronymus Bosch, tints, color gradients, brightness 1.6, washes and linework with a shallow depth of field for 3d effects by Roberto Matta & Man Ray, abstract expressionism in merged styles of Ray Caesar, Arshile Gorky, polished orphism, linework by Christophe Louis & Mira Lou, color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, immersive depth, overall composition by Arshile Gorky,foampunk 1.6, shadow mapping 1.5, raytraced shadows 1.3, phong shading 1.3, subtle coloring 1.9, Byzantine face type. 128k, UHD, HDR Mip-mapping 1.3, displacement mapping, reflective mapping 1.8, fluid wet-on-wet oil technique, dark linework, mysterious atmosphere, 1970's retro twist, layered hues by William Bradley, gradients of cyan and beige, warm color palette, comic book aesthetic, illuminated by glimmering light that selectively filters through the paper-canvas texture, blending with textures reminiscent of a sense of visual depth and sharp focus. The painting is an stylized masterpiece with a volumetric soft light diffusion effect. 1970s vintage illustration meets sgraffito in merged styles of Katie Acheson Wolford & Ho Baron & Stan Lee & Julius Horsthuis & Differantly, vibrant stylized woman, style of Wayne Barlow and Edward Gorey, grey eyes, smoky eye makeup, warped stylization 1.4, candyfloss textures, illuminated by glimmering light that selectively filters through the paper-canvas texture,
  • Using base image: Yes