Allegorical Watercolor of Women on Luminous Paths

No good news for tired crowds

164

Artist
Petr
DDG Model
FluX 2
Mode
Base
Access
Public
Created
6d ago
Similar Try (2)
Public
164

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  No good news for tired crowds
  
  Model: FluX 2 (Base)
  
  Size: 2560 X 1440 (3.69 MP)
  
  Used settings:
  
  Prompt: (Pls. create masterpiece without texts inside it,) [use Eclecticism + slow-motion_surrealism for very Inner-Dynamically ongoing eclectic postappeal and also very nicely wild late_landscape wonder by a multi-fork of footpaths: {[ We are going the wrong path and so there is no point in arguing whether to the right or left whether to east or west whether up or downwards whether each alone or together whether yes or no the wind the words will blow away and only we will be left here ~ ~ abandoned by themselves . . ]} Eclectic combination of art by Eyvind Earle (+with touches of Yossi Kotler), by Max Švabinský and Michaela Žemličková(+with touch of Stella McCartney style) into dynamic~partly anti-blurred(=in slowed down motion) style of unknown artist influenced by Milada Lenfeldová style and early art of František Kupka and Aubrey Beardsley, all within 4K πD (oil~impasto) qualities, within calm setting of abstract roadless bare(forsaken)land. ] Minimalist composition(s), no road, no highway, no text, no another unmentioned artifacts.
  
  Using base image: No
  
  Aspect Ratio: landscape_wide
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Prompt: (Pls. create masterpiece without texts inside it,) [use Eclecticism + slow-motion_surrealism for very Inner-Dynamically ongoing eclectic postappeal and also very nicely wild late_landscape wonder by a multi-fork of footpaths: {[ We are going the wrong path and so there is no point in arguing whether to the right or left whether to east or west whether up or downwards whether each alone or together whether yes or no the wind the words will blow away and only we will be left here ~ ~ abandoned by themselves . . ]} Eclectic combination of art by Eyvind Earle (+with touches of Yossi Kotler), by Max Švabinský and Michaela Žemličková(+with touch of Stella McCartney style) into dynamic~partly anti-blurred(=in slowed down motion) style of unknown artist influenced by Milada Lenfeldová style and early art of František Kupka and Aubrey Beardsley, all within 4K πD (oil~impasto) qualities, within calm setting of abstract roadless bare(forsaken)land. ] Minimalist composition(s), no road, no highway, no text, no another unmentioned artifacts.

Modifiers:

highly detailed elegant intricate very attractive high definition colourful anatomically correct dramatic lighting and shadows Construction details figurative abstract Contrast of lightness and darkness alcohol ink and watercolor deepest fantasy a real piece of man dramatic&magical each object and figure elegant Elegant flowing form with gentle curves & subtle contours from balanced harmonious Zen to luminous mathematically scheming act. Cheeky Richard Burlet style inside contours of Henri de Toulouse-Lautrec rawness Agnes Bernice Martin essence hardly lost within alcohol inks of Andy Kehoe impressionism avant-garde style Artificialism (as kind of visual poetism) deep phantastry in 64K πD proactive funky way ℄✎⌠Ⓛⓔⓕⓣ⌡ transcendent layers symbolically surrealistic painting, partly abstract very intricate complex of unique harmony&beauty unsharply inclined composition apt layering of scenes(if needed)

Prompt

(Pls. create masterpiece without texts inside it,) [use Eclecticism + slow-motion_surrealism for very Inner-Dynamically ongoing eclectic postappeal and also very nicely wild late_landscape wonder by a multi-fork of footpaths: {[ We are going the wrong path and so there is no point in arguing whether to the right or left whether to east or west whether up or downwards whether each alone or together whether yes or no the wind the words will blow away and only we will be left here ~ ~ abandoned by themselves . . ]} Eclectic combination of art by Eyvind Earle (+with touches of Yossi Kotler), by Max Švabinský and Michaela Žemličková(+with touch of Stella McCartney style) into dynamic~partly anti-blurred(=in slowed down motion) style of unknown artist influenced by Milada Lenfeldová style and early art of František Kupka and Aubrey Beardsley, all within 4K πD (oil~impasto) qualities, within calm setting of abstract roadless bare(forsaken)land. ] Minimalist composition(s), no road, no highway, no text, no another unmentioned artifacts.

More about No good news for tired crowds

⌠rom Mňága a Žďorp♫, using base of::
https://www.karaoketexty.cz/texty-pisni/mnaga-a-zdorp/zadne-nove-zpravy-207081
https://deepdreamgenerator.com/ddream/9bdn4llrfsp
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Watercolor painting, surreal landscape, desert-like environment with sparse, gnarled, leafless trees, a winding path or river of vibrant, flowing colors (blues, yellows, oranges, reds, purples, greens) cutting through the desolate ground. The sky is an expansive, swirling vortex of similar vibrant hues, blending into deep blues and grays, with scattered translucent bubbles or orbs floating throughout the scene. On the left, a woman in a long, reddish-orange dress with a white feather in her hair, holding a white object, stands near a tree, looking towards the right. On the right, a blonde woman in a white tank top and red shorts stands near another tree, a red ball at her feet. The ground is textured with waves of color, and small, smooth spheres of various sizes and colors are scattered across the landscape and along the colorful path. The overall impression is one of a dreamlike, expansive, and slightly melancholic world, painted with fluid, organic lines and a rich, analogous color palette, reminiscent of psychedelic art and visionary art, highly detailed, watercolor on paper, soft lighting, ethereal.