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A calm sea near the coast. A red fish emerges partially from the water, lifting its body in a smooth, elegant arc. Its mouth is open upward, waiting with quiet precision. Above it, floating in mid‑air with no visible support, a slightly rusted metallic watering can pours a thin, continuous stream of water that falls directly into the fish’s open mouth, without touching its body. The watering can is tilted at a deliberate angle, obeying an impossible logic. The sea shows soft, ordered waves in teal and greenish‑blue tones. The coastline is subtly suggested. On the horizon, to one side, the faint silhouette of a white lighthouse appears through a light mist, barely defined, like a distant memory. The sky is pale and clean, with soft, sculpted clouds placed with intention. The atmosphere is silent, balanced, and surreal, with a Magritte‑like clarity and a sense of natural impossibility. Style: surrealism, clean lines, soft gradients, ordered composition, calm atmosphere, symbolic minimalism, dreamlike logic. Aspect ratio: 16:9.
The fish opens its mouth eagerly, as if the sea were no longer clean and needed "imported" water. The rusty watering can floats above it, fulfilling its function with absurd dignity, drop by drop, as if trying to compensate for decades of human neglect. In the background, the lighthouse observes the scene with the patience of one who has seen it all: polluting spills, plastics, promises. In this small, impossible ritual, the fish seems to be the only one who still believes that clean water can come from somewhere.
