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Mr. Miura’s drawings, in pen and ink for most of his career, were also compared to the paintings of the Dutch Renaissance master Hieronymus Bosch, particularly for Mr. Miura’s images of little human figures occupying sweeping fantastical landscapes. These imaginary worlds tended toward the hellish (with moments of the sublime), made up of corpses, skeletons, monsters and, in one of the story’s pivotal moments, a gigantic, ominous eclipse.