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Squeeze - Cool for Cats.
Good song, their first hit and one of only 2 Squeeze records I like. The other being 'Take me I'm yours'. Mainly due a different, less cool singer on their other records.

Prompt: 3:4 format image, Hyperrealstic Vibrant Colours, a comix-style whimsical adventure-story cartoon strip, featuring the British band Squeeze in 1979 with seven frames titled "Cool for Cats!" In bold semi-3d New Wave Cool for Cats style. Each frame is appropriately sequential and captioned:
The Sweeney's doing ninety 'cause they've got the word to go (driving a blue/grey S-type Jaguar car). They shoot a gang of villains in a shed up at Heathrow.
To change the mood a little I've been posing down the pub. On seeing my reflection, I'm looking slightly rough.
I fancy this, I fancy that, I wanna be so flash. I give a little muscle and I spend a little cash.
Shape up at the disco and I think I've got a pull. I ask her lots of questions and she hangs on to the wall.
I kiss her for the first time and then I take her home. I'm invited in for coffee and I give the dog a bone.
She likes to go to discos but she's never on her own. I said I'll see you later and give her some old chat.
But it's not like that on the TV when it's cool for cats, It's cool for cats!
A detailed whimsical zany retro comic strip in the style of VIZ Magazine & Robert Crumb & Mike Ploog

A comic strip illustrating scenes from the Squeeze song "Cool for Cats." In the upper left panel, a group of five men is shown, three of whom are wearing dark jackets and two wearing yellow shirts and sunglasses. Above them, the title "SQUEEZE - COOL FOR CATS!" is prominently displayed in bold pink and blue letters. The comic then transitions to a series of seven panels, each captioned with lyrics from the song.

Panel 1: "The Sweeney's doing ninety 'cause they've got the word to go. They shoot a gang of villains in a shed up at Heathrow." This panel depicts a chaotic scene inside a "HEATHROW - CARGO" warehouse. A grey vintage car speeds through the shed, with two men in the front seats. Explosions and gunfire erupt around them as several armed figures, presumably police, are engaged in a shootout with others. Crates and smoke fill the industrial setting.

Panel 2: "To change the mood a little I've been posing down the pub. On seeing my reflection, I'm looking slightly rough." A man with disheveled dark hair sits at a wooden bar, holding a pint of beer. He looks dejected,