Smoke and Fire Fusion

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  • Maximilian Lueders's avatar Artist
    Maximilian...
  • DDG Model
    DaVinci2
  • Access
    Public
  • Created
    2w ago
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Prompt

Upper body portrait by Ilya Zomb, stylized by Charles Ricketts, Delicate headshot fading into fog, intricate ornamental patterns merging with mist, painterly realism, soft brush textures, plasticity 1.3, mip-mapping 1.7, brightness 1.4, unique, uhd, hdr,<lora:lightingSlider>, Brightness 1.9, smile, looking at viewer, impossible light transitions, hues, tints of Ed Binkley, intricate facial features.128k, octane render, LiDAR point cloud, negative lucas numbers. UHD, HDR. Gothical aesthetic look, texture mapping 1.4, foampunk 1.5, raytraced shadows 1.2, volumetric lighting, <lora:Dark lightingSlider:-0.2>, lora:aosiai123_style:0.65>, WAI-illustrious-SDXLMip-mapping 1.3, displacement mapping, reflective mapping 1.8, dark, gothical, regionalism, <lora:AddMicroDetails_Illustrious_v5:0.5>, addmicrodetails <lora:Modern_anime_render:1.20>, micro-level intricacy, parallax occlusion 1.3, orphism, chuh4ib4ne, soft dynamic lighting, lineart, atmosphericdepth, glossy highlights, nuanced painterly, anisotropic filtering 1.7, volumetric lighting, <lora:Dark lightingSlider:-0.2>, retropunk 1.9, dyed,subtle coloring 1.9, <lora:Dark lightingSlider:-0.2>, masterpiece, reflective mapping, stylized headshot, orphism. Byzantine face type. ethereal ambiance, muted light, compelling narrative composition, subsurface scattering for skin, dynamic cloth movement, intricate hair details, cinematic depth of field, painterly texture overlay, soft glowing light, lifelike anatomy, subtle motion blur effects. Utilize alcohol ink and oil paint on canvas, acrylic ink, and charcoal for line art, incorporating Japanese ink wash painting techniques (Sumi-e) and fine ink illustrations. Achieve a fusion of ink sketch outlines with watercolor, ensuring 8k resolution for precise line-art detailing. Capture the essence of a storybook through ink-and-wash style, blending mixed media of watercolor and ink. The final piece should embody a refined, high-quality aesthetic reminiscent of Frank Miller, emphasizing soft glow highlights and ultra-clarity in an enchanting, mist-filled setting, archaic, coloring by by Rebeca Saray, lighting by Jamie Heiden & Michael Creese, hues by Sam Toft, tints by Edward Julius Detmold & Thomas Edwin Mostyn, plasticity by Todd McFarlane, glowing art style of Serge Marshennikov and Art Nouveau,

More about Smoke and Fire Fusion

A hyperrealistic digital painting of a young woman with fair skin, brown eyes, and dark auburn hair that flows around her face. Her hair is parted in the middle with some strands framing her face, and it appears to be styled in a loose braid on her right side, with the end of the braid visible over her shoulder. On the left side of her face, wisps of white smoke curl around her hair, while on the right side, bright orange and yellow flames engulf her hair, creating a striking contrast. She wears a delicate silver or white earring in her left ear, shaped like a floral or droplet design. Her makeup is subtle with defined eyebrows, winged eyeliner, and natural lip color. She is wearing a dark top with a light-colored, possibly sheer, overlay featuring a delicate leaf or floral pattern on her left shoulder and collarbone area. The background is a gradient of dark blue and lighter blue-grey, suggesting a smoky or ethereal atmosphere. The lighting is dramatic, highlighting her face and creating strong shadows, giving the impression of light sources both from the left and right, emphasizing the duality of smoke and fire.

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