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Bodies as baked potatoes with cream and beetles. Long arms gathering money. Half baked chicken weeping.
A surreal and allegorical oil painting in the style of Hieronymus Bosch, framed by an ornate gold archway carved with architectural details and an all-seeing eye at the top center. The scene is presented as a triptych, though the central and right panels are merged.
On the left, a detailed view reveals an ancient-looking building with a pyramid-like roof, adorned with another all-seeing eye. A security camera is mounted on a building in the mid-ground. From an opening in the lower left, a distorted, colorful paintbrush stroke emerges. A crying chicken, with visible wounds showing red flesh on its chest and side, sits distraught, shedding large, tear-like droplets. Around it are scattered gold coins and feathers.
The central and right portions of the triptych depict a dystopian cityscape under an apocalyptic sky with a fiery orange sun or moon. In the distance, abstract structures with various eyes are visible, along with surveillance cameras. A menacing figure with fire for a crown and dark, pointed features dominates the background, overlooking the scene.
In the foreground, a grotesque assembly of anthropomorphic potatoes with spider-like limbs are actively collecting gold coins into sacks labeled "MONEY" and "IRONE